By Richard Corson

Widely known as the “bible of degree makeup,” the well timed revision of this vintage textual content addresses rules and strategies within the use of make-up for the modern performer.

This vast exploration of the appliance and use of degree make-up and make-up for numerous functionality venues covers all points intimately and comprises over four hundred pictures, drawings, and diagrams demonstrating step by step strategies. completely up to date and revised, this vintage textual content is still exact and finished, supplying details from which all readers – no matter if scholars to the sector or pro, expert make-up artists – will benefit.

New to this edition:

  • Updated images throughout.
  • Features the most recent info on items and strategies throughout.
  • New additions to chapters touching on  hairpieces and wigs: creating a development for a beard and mustache, creating a development for a wig, fronting a wig, or sending exact info for leases, and the fundamental curler set for wigs.
  • The resource Appendix has been absolutely up-to-date with new proprietors and the most recent site addresses.
  • The fabrics Appendix has had the most up-tp-date items added.
  • There are new, clean make-up charts for sophistication paintings and designing makeups.
  • There is a colour consultant for a two-part silicone existence cast.
  • The new colour part that includes Academy Award nominee, Christien Tinsley, steps for the Tinsley Transfers for cuts, bruises and prosthetics. (As obvious within the motion picture the fervour Of The Christ.)
  • A collection of make-up in colour with whole instructions.
  • Color photographs of Academy Award winner, Matthew Mungle, lighting tricks make-up for the CSI tv show.
  • Instructions for a brand new “creating a likeness” of Queen Elizabeth I.
  • The movie and tv bankruptcy now comprises information regarding operating with the most recent HD electronic technology.
  • The colour part now features a sequence of pictures illustrating the results of gel colours on common makeup.

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Tear (do no longer minimize) a unmarried thickness of tissue to the approximate dimension and form of the realm to be lined, pull the outside tight with one hand, and with the opposite follow the tissue to the rainy latex. For the world round the mouth, a vast smile will most likely stretch the outside sufficiently. For top effects, paintings on just a small zone at a time. three. Paint one other layer of latex over the tissue and permit it dry or force-dry it with a hair dryer. four. unencumber the outside and powder the latex. Wrinkles will shape. five. whilst all the latex paintings is completed, colour the skin by utilizing one of many following equipment: (1) stipple (do no longer rub) the outside with rubber-mask greasepaint; (2) paint a truly skinny layer of castor oil onto the outside, then stipple with usual creme origin; (3) stipple with PAX paint (see Appendix A). in case you have used a pretty darkish latex, practice a lighter beginning colour, catching purely the tops of the wrinkles, leaving the darker latex displaying via within the creases or tiny depressions. that would emphasize the feel in addition to the wrinkles that experience shaped. Stippling with a number of shades of paint will produce a extra common influence. 6. entire the make-up as ordinary with highlights, shadows, and powder. with a view to make the most of the feel, preserve the shading refined. Touch-ups may be performed with make-up pencils if you want. The latex may be peeled off really simply after the functionality. that allows you to increase elements of the face whilst utilizing this system, it may be performed with both derma wax, putty-wax, nostril putty, or silicone putty. you need to retain the addition small, and care could be taken to mix it easily into the outside. the subsequent strategy can be utilized: 1. practice small quantities of putty or wax on to the surface for jowls, nasolabial folds, and so forth. keep away from build up the mouth quarter if attainable, and make sure to mix the wax or putty easily. Use spirit gum first for those who favor. if you happen to use putty or wax at the nostril and tissue at the remainder of the face, be C H A P T E R 12 third-dimensional make-up 141 FIGURE 12-10 make-up with latex and tissue. A. version with out make-up. B-C. Latex and tissue being utilized. Head has been lined with a plastic cap. D. Shadowing began. E. make-up entire with wig, beard, and extra shadowing. F. removal the make-up. (Courtesy of Kryolan Corp. ) absolute to supply the nostril a few texture by way of urgent the skin of the putty or the wax with a grapefruit rind or by way of stippling with a black plastic stipple sponge or a stiff-bristled brush to create tiny holes within the floor. 2. stick with the instructions above for employing latex, tissue, and colour. In elimination the make-up, peel off the latex. lots of the wax or putty will most likely come off with it. Then use any reliable make-up remover. when you've got used spirit gum first and it doesn't come off along with your make-up remover, use spirit-gum remover or alcohol. should still the actor perspire excessively or if there's enormous muscle flow, the latex and tissue 142 S TA G E M A ok E U P procedure may fit itself unfastened from the surface.

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