By Frances Yates
Publish 12 months note: First released in 1966 by way of collage Of Chicago Press and through Taylor & Francis in 1999
A progressive e-book approximately mnemonic strategies, and their relation to the background of philosophy, technological know-how, and literature.
The historic Greeks, to whom a expert reminiscence was once of significant importance—as it was once to every person ahead of the discovery of printing—created an complicated reminiscence process, in accordance with a method of impressing "places" and "images" at the brain. Inherited and recorded by way of the Romans, this paintings of reminiscence handed into the eu culture, to be revived, in occult shape, on the Renaissance, and especially via the unusual and memorable genius, Giordano Bruno. Such is the most topic of Frances Yates's particular and designated ebook, during which she sheds gentle on such different matters as Dante's Divine Comedy, the shape of the Shakespearian theater, and the background of historic structure. apart from its intrinsic fascination, this ebook is a useful contribution to aesthetics and psychology, and to the background of philosophy, of technological know-how, and of literature.
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Additional resources for The Art of Memory: Selected Works, Volume 3
Of Valencia, 1512 five. ‘A’ determine. From R. Lull's Ars brevis (Opera, Strasburg, 1617) 6. Combinatory determine. From Lull's Ars brevis 7. Tree Diagram. From Lull's Arbor scientiae, ed. of Lyons, 1515 eight. reminiscence Wheels. From G. Bruno, De umbris idearum, 1582 nine. Diagram of college Psychology. Redrawn from a diagram in Romberch, Congestorium artificiose memorie 10. reminiscence Theatre or Repository. From J. Willis, Mnemonica, 1618 eleven. urged Plan of the Globe Theatre Folder: The reminiscence Theatre of Giulio Camillo PREFACE the topic of this ebook can be strange to so much readers. Few humans comprehend that the Greeks, who invented many arts, invented an artwork of reminiscence which, like their different arts, used to be handed directly to Rome whence it descended within the eu culture. This artwork seeks to memorise via a strategy of impressing ‘places’ and ‘images’ on reminiscence. It has often been classed as ‘mnemotechnics’, which nowa days turns out a slightly unimportant department of human job. yet within the a while sooner than printing a proficient reminiscence used to be extremely important; and the manipulation of pictures in reminiscence should always to some degree contain the psyche as an entire. additionally an paintings which makes use of modern structure for its reminiscence locations and modern imagery for its pictures can have its classical, Gothic, and Renaissance sessions, just like the different arts. notwithstanding the mnemotechnical aspect of the artwork is usually current, either in antiquity and thereafter, and types the actual foundation for its research, the exploration of it needs to comprise greater than the historical past of its strategies. Mnemosyne, acknowledged the Greeks, is the mum of the Muses; the heritage of the learning of this such a lot basic and elusive of human powers will plunge us into deep waters. My curiosity within the topic all started approximately fifteen years in the past whilst I confidently got down to attempt to comprehend Giordano Bruno's works on reminiscence. The reminiscence approach excavated from Bruno's Shadows (Pl. II) used to be first displayed in a lecture on the Warburg Institute in may possibly, 1952. years later, in January, 1955, the plan of Giulio Camillo's reminiscence Theatre (see Folder) was once exhibited, additionally at a lecture on the Warburg Institute. I had realised by means of this time that there has been a few historic connection among Camillo's Theatre, Bruno's and Campanella's structures, and Robert Fludd's Theatre procedure, all of which have been in comparison, very superficially, at this lecture. inspired via what appeared a mild growth, i started to jot down the heritage of the paintings of reminiscence from Simonides onwards. This degree used to be mirrored in an editorial on ‘The Ciceronian paintings of reminiscence’ which was once released in Italy within the quantity of experiences in honour of Bruno Nardi (Medioevo e Rinascimento, Florence, 1955). After this there has been a slightly lengthy halt, brought on by an issue. i couldn't comprehend what occurred to the paintings of reminiscence within the heart a long time. Why did Albertus Magnus and Thomas Aquinas regard the use in reminiscence of the locations and photographs of ‘Tullius’ as an ethical and non secular responsibility? The observe ‘mnemotechnics’ appeared insufficient to hide the scholastic suggestion of the artwork of reminiscence as part of the cardinal advantage of prudence.